For instance, Plate I is frequently interpreted “the head of a fox” when seen at a distance of several meters at a closer range this answer is almost never given. The length of the extended arm is the maximum permissible distance.Ĭare must be taken that the subject does not catch a glimpse of the plate from a distance, since this would alter the conditions of the experiment. The subject is free to hold the plate near his eyes or far away as he chooses however, it should not be viewed from a distance. The subject is given one plate after the other and asked, “What might this be?” He holds the plate in his hand and may turn it about as much as he likes. The order of the plates within the series is determined by empirical results. The examination of individual sensibility to composition is a problem in itself. But the problem cannot be further discussed here. Finally, symmetry makes possible the interpretation of whole scenes.įigures which are asymmetrical and show poor composition could add new factors to the results of the experiment but would require testing on normal control groups. On the other hand, symmetry makes conditions the same for right and left-handed subjects furthermore, it facilitates interpretation in certain inhibited and blocked subjects. It has a disadvantage in that it tends to make the answers somewhat stereotyped. Asymmetrical figures are rejected by many subjects symmetry supplies part of the necessary artistic composition. The construction of a suitable series of ten figures is not so simple as might appear at first glance.įrom the method of preparation it will be apparent that the figures will be symmetrical, with very little difference between the two halves. Furthermore, the distribution of the blots on the plate must fulfill certain requirements of composition or they will not be suggestive, with the result that many subjects will reject them as “simply an ink-blot” without consideration of other possible interpretations.Įvery figure in the series has to fulfill certain special requirements as well as these general ones, and each, as well as any whole series, must be thoroughly tried out before it can be used as apparatus for the test. In the first place, the forms must be relatively simple complicated pictures make the computations of the factors of the experiment too difficult. Not all figures so obtained can be used, for those used must fulfill certain conditions. The production of such accidental forms is very simple: a few large ink blots are thrown on a piece of paper, the paper folded, and the ink spread between the two halves of the sheet. A reproduction of the figures in their present form is issued as a supplement to this book and should serve not only for illustration but as available apparatus. The experiment consists in the interpretation of accidental forms, that is, of non-specific forms.
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